Trusted by
Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government.
Your team is busy. The last thing you want is a video project that needs babysitting for weeks.
That's the whole idea behind Zarco Creative. You brief us once, we turn it into a plan and a fixed quote, and an experienced crew runs the shoot. You approve the cut, and the files are yours. It's set and forget corporate video production for marketing and internal comms teams across Sydney.
One shoot can feed a lot of channels. Here are the pieces we make most for Sydney corporate clients, and where each one fits. If the piece you're after is the story of the business itself, that's a brand story video. And if the proof should come from a customer, that’s a case study video.
A leader speaking straight to camera, warm and clear, with an autocue and a crew that settles nerves fast. Most executives are busy and not natural on camera. That's the exact thing we solve. We direct the shoot so your CEO sounds like themselves, not like they're reading. One sitting can cover several messages, so you're not booking the diary twice.
See executive video →Real people telling the story in their own words, filmed in your space, cut for trust. Our crew came up through live broadcast news at Network Ten, so running an interview is second nature. Settle the nerves, ask the right question twice, and get the answer that actually lands. Nothing to memorise. Your people just talk.
See testimonial video →Show what it's actually like to work there, so the right people apply and the wrong ones self-select out. We film your real staff, never actors, because candidates can smell a fake from a mile off. The same shoot usually feeds the careers page, the job ads and LinkedIn, which makes it one of the cheapest videos you'll make per use.
See recruitment video →Clear, watchable video for onboarding, process and messages from leadership. The test for internal video is simple: will staff watch it to the end? We keep it short, keep it human, and cut it so the point arrives early. Good for onboarding, policy changes, and anything an all-staff email keeps failing to land.
See internal comms video →A flagship film for the site and sales, plus case studies that prove the work. The brand film is the piece that says who you are in a minute or two. The case study is the one that helps close a deal, because the proof comes from a customer rather than from you. Most teams end up wanting both, and one shoot can often produce both.
See brand film →Tell us the goal and the deadline. You’ll get a clear, itemised quote, usually within one business day.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, shape the key messages with you, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Our work
Video that carries the brand across the site, socials and sales.
Messages from leadership and updates staff will actually watch.
Recruitment, onboarding and culture content that pulls its weight.
Considered, premium video for firms whose reputation is the product.
Big organisations who need a crew that runs itself and hits the deadline.
The five stages of a job are the shape of it. The shoot day is the part that actually lands on your desk, so here's what that day looks like from where you're standing.
The crew is in early. Lighting, sound and cameras are ready before your people walk in, so the first interview starts on time rather than forty minutes late.
They look after your talent and keep the day moving. If a meeting room falls through or a speaker runs late, we fix it and carry on. You don't get asked to solve it.
Most staff have never been on camera and are quietly dreading it. We settle them, ask the question a second way if the first answer came out stiff, and never leave someone stranded in front of a lens.
The hero video and the vertical versions come off the same setup, framed for both from the start. That's how one day feeds the site, LinkedIn and Instagram instead of needing three.
PwC Australia built The Outside, a $15M signature experience run through PwC Academy. Five weeks in the Hunter Valley, 2,700 senior associates, managers and partners, with speakers including Stan Grant and Kurt Fearnley.
The problem was that an immersive experience can't be explained in words. Zarco Creative was the video partner across both years of the program. We made the launch film, cut weekly highlight films while the program was still running, filmed interviews with participants and speakers, and covered the panel webcasts.
The films did commercial work inside PwC. Leadership used them when making the case for the program to run again. It ran a second consecutive year, and we were retained for the full duration. Read the full case study.
Some suppliers just press a button and you need to tell them everything. Others take over and create their own version of your truth. Working with Oscar and his team was the perfect balance.
Every job is quoted to scope, so there's no set price. A few things move the number, and we walk you through all of them before you commit.
How many days on location, and the crew each day needs.
One site or several, and how much travel is involved.
One hero video, or a hero plus a stack of social cutdowns.
Editing time, motion graphics, captions and music.
Behind the scenes
Shortlisting corporate video production companies in Sydney? Look past the showreel. Ask who runs the shoot day, how fixed the quote is, and who owns the files at the end. Then ask how much of your time the job will take. Our answers: an experienced crew, fixed, yours, and almost none.
Worth sorting out before you brief anyone, because they're not the same thing. A corporate videographer is one person with a camera. You get the filming, and you keep the planning, the schedule, the talent wrangling and the edit.
A corporate video production company covers the lot. We scope it, quote it, crew it, run the day and hand back the finished files. For one talking head in one room, a good corporate videographer in Sydney is often all you need. For a day with four interviews, a leader who needs settling and cutdowns for three channels, you want the whole thing handled. Corporate videography in Sydney is a crowded field. What sets one crew apart from the next is everything that happens around the filming.
Most video companies dictate what they think you need. We collaborate and guide on what's actually achievable, then run the whole thing so you don't have to. Jess is your single point of contact start to finish, and Oscar leads the shoot. The crew came up through live broadcast news at Network Ten, so they're calm under pressure and settle people's nerves on camera fast. We've filmed for Bunnings, PwC, Penfolds, Australian Turf Club and YPO, and we're part of Sydney video production across corporate, events and more. And when the message is headed for the news, we build a video news release with media training built in. If attracting and keeping people is the problem you're actually solving, see our employer brand video work.
Proof
PwC Reinvention Lab at the PwC Experience Centre 
Marketing Association of Australia Conference video for RESET 2026 
CBC A client testimonial film for CBC 
NSW Government Premier's Prizes profile, Professor Ian Paulsen 
Toll Event reel for the Toll Kemps Creek launch 
Australian Turf Club Employer brand film for the Australian Turf Club I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
There's no set price, because every job is scoped to what you need. The main drivers are shoot days, crew, how many locations, and the edit. Tell us the goal and the deadline, and we'll send a fixed quote. Get in touch to get started.
Most corporate videos run around two to three weeks from shoot to final cut, depending on scope. Bigger jobs with more filming or more deliverables take a little longer. We'll give you a clear timeline in the quote so you can plan around it.
The final edited files are always yours to keep and use. Raw footage can be handed over too, as a paid add-on to cover the drive and handover. Just flag it early and we'll build it into the quote.
Two rounds of review are built into every edit. You review through Frame.io, leave comments right on the video, and we action them. Most jobs are locked well inside two rounds.
Yes, we film across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and greater NSW. Travel within Sydney is factored into the quote up front. For interstate or regional shoots we'll set that out clearly before you commit.
Yes. We cut a 16:9 hero for your site and YouTube, plus 9:16 and 1:1 versions for LinkedIn and Instagram. One shoot feeds every channel, so you get more from the same day.
Ask four things. Who runs the shoot day? How fixed is the quote? Who owns the files at the end? And how much of your time will the job take? Our answers: an experienced crew, fixed, yours, and almost none. If a company can’t answer those quickly, keep looking.
It ranges a lot, because a one-camera interview and a multi-day shoot with a full crew aren't the same job. The number moves with shoot days, crew size, locations and how much editing is involved. Tell us the goal and the deadline and we'll send a fixed quote, so you know the figure before you commit.
A corporate video does a specific job: a message from the CEO, a training piece, a recruitment video, an update for staff. A brand film is the story of the business itself, made to be the flagship on your site. Most teams need both, and one shoot can often produce both.
Professional services, financial services, retail, government, education, property and construction, hospitality and consumer brands. We've filmed for Bunnings, PwC, Penfolds, Australian Turf Club and YPO. If your sector isn't on that list, the process is the same.
It depends on the week, but we can usually get a crew out inside a fortnight, and faster if it's urgent. The bigger constraint is normally your side, getting the right people in the same building on the same day. Tell us your deadline early and we'll work back from it.
Not much. We need to know who's on camera, where we're filming, and what the video has to achieve. We build the running order, the shot list and the call sheet, and send it to everyone involved. If you have brand assets like a logo and fonts, send those through for the edit.
It depends on the job. A straightforward interview day is a two-person crew, a corporate videographer plus a second on sound and lighting. A bigger shoot with several rooms or a live element gets more. Oscar often leads as Director of Photography, and every crew we book works to the same standard whoever's on that day. The quote names who's coming.
Either way works. For interview-based video there's usually no script at all, just good questions and a plan. For a piece to camera, most clients write the key messages and we shape them so they sound natural when spoken. If you'd rather hand that over, we can help.
Your office is usually better. Filming in your real space says more about the business than a white backdrop does, and it saves your people a trip. We bring lighting and sound, so a meeting room works fine. If a job genuinely needs a studio, we'll tell you.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Get a quotePart of this
