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Financial Services
Banks, super funds and insurers work in a world where trust is everything and compliance is always watching. We make leadership and culture pieces, customer stories and explainers that stay on message and on brand.
In financial services the edit is not finished when it looks good. It is finished when compliance says so.
We plan for that from the start. We agree who reviews and when, so the review sits in the schedule instead of ambushing it. Disclaimers, on-screen text and any wording that might not clear are flagged early, and where a line is uncertain we record an alternate take on the day. Changing a word later then costs an edit, not a reshoot.
Two rounds of changes are included as standard, and we keep the project files so a wording change next quarter is quick.
People decide whether they believe a bank, a fund or an advice firm in the first few seconds. Polish alone does not do it.
We film in real offices, in natural light where we can, and we coach people just enough that they sound like themselves. No hype, no big claims, no music telling the viewer how to feel.
That approach suits leadership pieces, customer stories, adviser explainers and internal comms. It is also the reason the same footage tends to hold up for years rather than dating in a season.
Selected work
What we make
One team, end to end. Each of these has its own page if you want the detail.
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
We build it into the schedule rather than treating it as a surprise. We agree the reviewers and the review dates before the shoot, and we flag any wording that looks like it might not clear so you can settle it early.
That is normal and we plan for it. Two rounds of changes are included, and we record alternate takes on the day for any line that looks risky. We also keep the project files, so a later change is an edit rather than a reshoot.
Yes, and we usually prefer it. Your own space looks like you and it saves your people a trip. We bring our own lighting and sound, so a plain meeting room is enough to work with.
Yes. Send us the guidelines and any existing video before we start. We match type, colour and the way lower thirds and end frames are handled. The piece then sits next to the rest of your work rather than standing out from it.
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