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Education
Schools, universities and training providers are selling a decision that matters. We make enrolment and open-day films, campus content and staff and student stories. Warm and real, the kind that helps a parent or student choose you.
Schools and universities do not stop for a camera, and they should not have to.
We plan around the timetable: bells, changeovers, exam periods and the weeks staff simply cannot give up. We work with a small crew, so a classroom still feels like a classroom. We can shoot in short windows across a day rather than taking a room out for hours.
Permissions come first. Tell us your consent process and what your school requires of visitors on site, and we will make sure the crew booked on the day meets it. We only film students you have cleared.
Parents and students are choosing a feeling as much as a curriculum. They want to know what it is like to be there on a Tuesday.
So we film real classes, real students and real staff, rather than staging a version of the school that nobody would recognise. The pieces that work are usually the quiet ones. A teacher explaining how they teach. A student saying what changed for them.
One visit generally covers an enrolment or open-day film, shorter cuts for social, and footage you can reuse for years across enrolment, alumni and staff recruitment.
Selected work
A look at how we work across every job. Industry-specific cuts going up here soon.
What we make
One team, end to end. Each of these has its own page if you want the detail.
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
You lead on that, because it is your consent process and your families. Tell us who is cleared and who is not before the day, and we will film accordingly. If a student without consent ends up in a shot, we cut it.
Tell us your visitor and screening requirements early and we will make sure the crew booked on the day meets them. Send them at quoting stage rather than the week of the shoot, so there is time to sort.
Yes, and it is usually the best footage. We work in short windows around bells and changeovers, with a small crew and quiet kit. Give us the timetable and we will build the day around it.
Yes, the finished files are yours. One visit normally covers an enrolment or open-day film, social cuts and general footage you can use again for staff recruitment, alumni and the website.
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