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Most video projects feel like a second job. Chasing crews, managing the day, wrangling feedback. Our whole process is built to take that off your plate. You brief us once, and we look after the rest.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Our promises
The stages change. These don’t.
You deal with Jess from the first call to the final files. No handover chain, no chasing three people for one answer.
Itemised and locked before anything is booked. The number you approve is the number on the invoice.
We explain everything from the start and flag anything that changes. You always know where the job is up to.
When we say a date, we mean it. Final files arrive on time, in every format you need.
Timing
Every job is scheduled to its own deadline, but most corporate videos run like this.
One call to scope it. A fixed quote back, usually within a day.
Shot list, locations and the call sheet locked. We handle the logistics.
An experienced crew runs the day to the call sheet. You can step away.
The edit lands in Frame.io about a week after the shoot.
Two rounds of changes built in, then the files are yours to keep.
Need it faster? Tell us the date and we’ll tell you honestly if it’s doable.
On set
I’m really relaxed. Even the events I’m not present, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, find solutions and ways to maximise on content during the day.
I had a partner, not a supplier. They were truly part of the team, and this was a 4 day/5 week event.
Good to know
An experienced lead runs the day to the call sheet, start to wrap. You don’t manage anyone. Plenty of clients brief us once and don’t think about it again until the first cut.
You’re welcome, but you don’t need to be there. The brief covers what we need, and we send the cut through Frame.io so you review in your own time.
Two rounds are built in on every job. You comment straight on the frame in Frame.io, so feedback is quick and nothing gets lost in an email chain.
Just the brief. We handle the crew, the gear, the call sheet and the schedule, and we’ll guide you on anything we need from your side.
Most projects are filmed within a couple of weeks of the brief, with the first cut about a week after the shoot. On a tight deadline? Tell us the date and we’ll tell you honestly if it’s doable.
We archive it safely after delivery. If you’d like the raw files themselves, we can arrange that as a paid extra, just mention it when we quote.
Got something coming up?
Tell us what you need.
We will scope it, quote it, and look after the rest.
No hard sell, just a quick chat.
