Marketing teams
Proof assets that move deals along and back up the pitch.
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A written case study tells buyers you're good. A case study video shows them. When a real customer sits on camera and explains what changed, that lands harder than any claim you make about yourself.
It's proof in your customer's own words. That's the thing a nervous buyer needs before they say yes. We film it, edit it and deliver it, so all you do is line up the customer and brief us once.
Proof assets that move deals along and back up the pitch.
Long sales cycles where buyers need to hear it from a peer.
Real customer stories that carry more weight than an ad.
A film your team can send when a prospect goes quiet.
Early proof that shows the difference you make for clients.
The story only works when it's the customer's own words, not lines you've fed them.
Set up the problem, show what changed, then name the outcome. That order builds belief.
One concrete change your customer can point to beats ten vague compliments.
Long enough to tell the story, short enough to hold attention, usually two to three minutes.
Cut for the sales deck, the website and social from the one shoot, so it earns its keep.
We keep it conversational. No scripts, no teleprompter, just questions that get your customer talking, asked by a crew that came up interviewing people under real newsroom pressure. Nervous talent settles fast.
Most customers are on camera for under an hour. We work around their day and their office, so saying yes to you stays easy for them.
The full story, challenge to result, for your website and proposals.
The strongest moments as vertical clips for LinkedIn.
A tight cut that does the talking mid-pitch.
Every version subtitled, because most of the feed watches on mute.
Want quick praise to camera rather than the full story? That's a testimonial video, and we often film both on the same day.
Behind the scenes
Tell us the story and who's on camera. We'll scope it and send a fixed quote.
Our crew came up through live broadcast news at Network Ten, so settling a nervous customer on camera is the part we know best. We've filmed for the likes of PwC, Bunnings and Sennheiser, and we run every job so you don't have to manage it. You brief us once, an experienced crew handles the shoot, and we deliver. See how a job runs from brief to final files.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
It depends on the scope. The number of customers you're filming, travel, how many cutdowns you want and the shoot length all move the price. We build every job to a fixed quote so there are no surprises. Book a call and we'll scope it and send you a firm number.
Most hero case study videos sit around two to three minutes. That's long enough to tell the challenge, solution and result, short enough to hold attention. We usually cut shorter social versions from the same footage. We'll recommend a length once we know where you'll use it.
We build it around challenge, solution and result. Your customer sets up the problem they had, explains what changed when they worked with you, then names the outcome in their own words. It reads as their story, not your pitch, which is what makes buyers believe it.
That's the norm, not the exception. Our crew came up through live broadcast news, so settling nervous people on camera is the part we know best. Oscar leads the interview, keeps it warm, and gets real answers without your customer feeling put on the spot.
Yes. We're based in Sydney and film across NSW, and we travel interstate for the right job. Your customer being in another city isn't a blocker. You brief us once and we handle the travel and logistics.
Yes, and we'd recommend it. From a single interview we cut a hero film plus short vertical and square versions for LinkedIn and other feeds. You sit your customer down once and leave with a film and a run of social content.
It varies with scheduling and scope, but a typical single-customer case study runs a few weeks from brief to final files. The biggest variable is customer availability for the shoot. We edit and deliver through Frame.io with two rounds of review built in.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Get a quoteGot something coming up?
Tell us what you need. We will scope it, quote it, and look after the rest. No hard sell, just a quick chat.