Trusted by
How we got here
Oscar came up through live broadcast television, including a decade at Network Ten. Years of getting it right the first time, on air, with no second takes. That is where our calm under pressure comes from, and the broadcast standard our crew holds on every job.
It is also what makes us different. When you have worked live news, nothing on a corporate set fazes you. If something goes sideways on the day, we stay calm, solve it on the spot, and keep you on track.
Jess came up through teaching, so she runs the plan, the brief and the day, and has a knack for putting nervous people at ease on camera. You will always deal with us, never a faceless team.
What we believe
These are not posters on a wall. They are how the day actually runs.
Don’t take our word for it
I’m really relaxed. Even the events I’m not present, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, find solutions and ways to maximise on content during the day.
I had a partner, not a supplier. They were truly part of the team, and this was a 4 day/5 week event.
Who you will work with
No handover chain, no faceless team. You deal with the two people whose name is on the door, with a crew we trust around us.
Operations Director
Jess runs operations and client relationships, so the work is high quality without the admin landing on you. She came up through teaching, so she runs the plan, the brief and the day, and has a knack for putting nervous people at ease on camera. She is your single point of contact, start to finish.
Creative Director and DOP
Oscar came up through live broadcast news, including years at Network Ten. That is where the calm under pressure comes from, and the broadcast standard our crew holds on every job. He leads the camera and the edit, and reads the room so you do not have to direct every shot.
Around us sits a trusted crew of producers, camera operators, sound and post talent, so the right people are on every job and it never rests on one person.
Good to know
Jess and Oscar Vieira, a husband and wife team. Jess runs business development and operations, so she is your single point of contact across the brief, the schedule and the day to day. Oscar is the DOP and creative lead, leading the camera and the edit. Two people who care about the work, with a crew we trust around us.
Oscar spent years in network television at Network Ten, and that broadcast experience runs through everything we make. It is the reason we stay calm when ten things happen at once and know what actually works on screen. When something goes sideways on a shoot, it gets sorted on the fly, so it does not become your problem.
It means you hand us the brief and we carry the rest, so you are not managing the shoot on top of your own job. You get one point of contact who runs the day to day, the crew turns up planned and briefed, and the cut lands within 10 business days as standard, faster when you need it, with two rounds of revisions through Frame.io. You stay across it without having to drive it.
Premium brands and major Australian institutions, including Penfolds, the Australian Turf Club, PwC, Land Rover, Sennheiser, Chartered Accountants ANZ and AANA. We also crew and edit white-label for other production companies and agencies, which is a core part of what we do. So the experience spans corporate, events and brand work across Sydney and beyond.
Sydney, and we film across the whole city, from the CBD and North Sydney to Macquarie Park and Parramatta. We travel across greater NSW and interstate for the right job, bringing the full kit to your office, venue or site. You do not have to come to a studio unless you want one.
Got something coming up?
Tell us what you need.
We will scope it, quote it, and look after the rest.
No hard sell, just a quick chat.