Trusted by
Consumer Brands
Product brands live and die on how they show up. We make product shoots, launches, social-first content and ongoing content series, shot to your brand so it sits right next to the rest of your marketing.
Product video lives or dies on the detail: the pour, the texture, the way light sits on the packaging.
That is a controlled lighting job, not a run and gun one. We shoot the hero angles, the close detail and the packaging in a way that holds up on a shelf-sized phone screen as well as a big one. If the shoot needs a stylist or a home economist, we will say so and build it into the quote. Better that than hoping on the day.
We can shoot stills alongside the video from the same set up, which is usually cheaper than booking the product and the space twice.
Retail and social both want their own sizes, and neither waits.
So we plan the day around the whole list: hero film, short cutdowns, vertical for the feed, and stills if you need them. Framing accounts for every crop on the day, so nothing important is lost when the same footage becomes a square or a vertical.
Send us your brand guidelines and any existing campaign work before we start. Matching what is already out there costs nothing at the planning stage and a lot at the edit.
Selected work
What we make
One team, end to end. Each of these has its own page if you want the detail.
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Yes, and it usually makes sense. The product, the set and the lighting are already there, so adding stills is far cheaper than a second booking. We will quote it as its own line so you can see what it costs.
Yes. Close detail is a lighting job more than a camera one. We shoot the hero angles, the texture and the packaging so they hold up at phone size as well as full screen.
Yes. Tell us the specs at the start and we will frame for them on the day. That way the widescreen cut and the vertical one are both composed properly, instead of one being a crop of the other.
Yes. Send the guidelines and a few examples of campaign work you like before the shoot. We match type, colour and pacing so the new work sits with the old rather than against it.
More industries
