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See the jobHow we work
The pour, the texture and the packaging, shot to hold up on a phone screen as well as a big one.
Hero film, cutdowns, vertical for the feed and stills from the same set up.
Widescreen, square and vertical, so nothing important is lost in the crop.
When a launch or a red carpet needs to be live the next day.
Our Bunnings Scarehouse news package was picked up and ran on 7NEWS.
Send the guidelines and past campaign work first, and the new work sits with the old.
What we make
One team, end to end. Each of these has its own page if you want the detail.
How it runs
One day of filming, planned to feed every channel you publish in.
The product, the campaign, the channels and the date it has to be live. Fixed price back, usually inside a business day.
We map the shot list around the full set of outputs: the hero film, the product cuts, the social edits, and a news package if the story carries one.
Filmed on location, in store or at the activation, without the crew becoming part of the event. Vertical framed on the day rather than cropped later.
Overnight when a launch needs it. Otherwise the first edit lands within 10 business days. Delivered in every size, captions burned in for the feed.
Absolutely loved our experience working with Jess and Oscar. The footage was beautiful and they were both super helpful throughout the process. Highly recommend.
Output quality and communication standards are world class. I'm in a corporate environment that demands flexibility and high performance, and Jess and Oscar more than deliver. Highly recommended.
I’m really relaxed. Even the events I’m not present at, I’m not worried at all.
Good to know
Yes, and it usually makes sense. The product, the set and the lighting are already there, so adding stills is far cheaper than a second booking. We’ll quote it as its own line so you can see what it costs.
Yes. Close detail is a lighting job more than a camera one. We shoot the hero angles, the texture and the packaging so they hold up at phone size as well as full screen.
Yes. Tell us the specs at the start and we’ll frame for them on the day. That way the widescreen cut and the vertical one are both composed for their own frame, instead of one being a crop of the other.
Yes. Send the guidelines and a few examples of campaign work you like before the shoot. We match type, colour and pacing so the new work sits with the old rather than against it.
Yes. A broadcast package is cut to what a news desk needs, which isn’t what a brand channel needs, so we make both from the same day. We produce the package. Placing it with a network is your PR team's call.
Same night or next morning is achievable when it matters, and we have cut a red carpet overnight so it was live the next day. Tell us at briefing and we’ll crew and schedule the edit for it.
Yes. We work with a small crew and quiet kit so trading isn’t affected, and we handle the site requirements the retailer sets. Give us the store contact early so access is agreed before the day.
Yes, and running both in one day is usually better value than splitting them. Product and packaging need different lighting to interviews, so we plan the order of the day around it rather than switching back and forth.
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