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Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government. Our work has run on Seven, Nine and Network 10.
Most team pages are a mess. One person's shot is from a wedding, another's is a cropped conference photo, and the new starter is a grey silhouette. It's the first page a client checks and it quietly says nobody's in charge.
One session fixes it. Same light, same background, same finish across everyone, from the CEO to the graduate who started on Monday.
We come to you and set up in a meeting room or a quiet corner. People book a slot, come down, and are back at their desk in a few minutes.
Plain background or your office behind them, and how formal you want it. One decision, made once, applied to everyone.
Lighting and backdrop go up before the first slot. No one has to travel anywhere.
Most people are done in five minutes. We show them the back of the camera so they leave happy with it.
We narrow it down, or send a few options per person if your team wants the say.
Finished, consistent, named by person, in web and print sizes.
Tell us how many people and where you are. We'll work out how long it takes and quote it fixed.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Roughly half your team will say they're terrible in photos. They're not, they've just never been given two minutes and someone who knows what they're doing.
Our crew spend their working lives putting nervous people in front of a lens. We keep it quick and light, and we don't make anyone stand there while we fiddle with a light stand.
If you've already got people coming in for interviews or a leadership piece, headshots cost you almost nothing extra in disruption. The lighting is up and the room is booked.
It's the same logic as our wider corporate photography: get everyone organised once, walk away with everything.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Allow about five minutes a person once we're set up, plus half an hour either side for the lighting. Twenty people is a comfortable half day.
Yes, that's the normal way we do it. We bring the lighting and a backdrop if you want one, and set up in a meeting room.
Whatever they'd wear to meet a client. Solid colours photograph better than tight patterns. We'll send a short note you can forward to the team before the day.
Yes. We keep a note of the lighting and background so a shot taken six months later still matches the rest of the page.
If you want to. Some teams want a few options per person to pick from, others want us to just choose the best one. Tell us which and we'll do that.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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