Team and executive portraits
Consistent, well lit portraits of the whole team, shot to the same look so the website page hangs together.
See headshot photography →
Trusted by
Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government. Our work has run on Seven, Nine and Network 10.
Most teams need both. Photos for the website, LinkedIn, the annual report and the intranet. Video for everything else. Booking them separately means paying twice to get the same people into the same room.
We run them together. The lighting is already up, the talent is already there, and the photographer works around the video schedule instead of competing with it. You get two libraries out of one day.
Consistent, well lit portraits of the whole team, shot to the same look so the website page hangs together.
See headshot photography →Conferences, launches, galas and awards. Stage, crowd, sponsors and the candid moments in between.
See event video →Real people at real desks. The library your HR and recruitment teams keep asking for.
See employer brand video →Clean product shots and the close details that give a website page texture.
See product video →Warehouses, floors, builds and venues, shot so they look like somewhere you'd want to work.
Media-ready images to go out alongside a video news release.
See video news release →Tell us who's available and what you need the images for. We'll build a schedule that gets both.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
The fastest way to make a company look generic is a stock photo of a handshake. The second fastest is a portrait where everyone looks frozen.
We shoot people in their own environment, mid-conversation, in natural light where we can. Warm, real and specific to you. The kind of image someone actually recognises when they walk into your office.
Selected, corrected and finished. Editing is part of the shoot, never a line added afterwards.
Full resolution for print plus web-ready versions, so nobody is resizing files at 6pm.
Use them wherever you like, for as long as you like. No licence clock running in the background.
Organised and named so someone who wasn't at the shoot can still find what they need.
Event selects can come back the same week. Tell us if you need something on the night.
Jess books it and answers the phone, whether the day is stills, video or both.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Yes, and it's usually the smart way to do it. One set-up, one round of getting people organised, two sets of assets. We build the run sheet so the two don't trip over each other.
Yes. Selecting and finishing the images is part of the shoot, not an extra line. You get finished photos, not a folder of raw files to sort through.
It depends on the day. A team portrait session gives you a finished shot of everyone plus a few options each. An event day usually runs to a few hundred edited images.
Mostly your office, because it looks like you. We bring lighting so a beige meeting room still works. A studio set is an option if you want a clean background.
Usually within a week. If you need a handful of selects the same day for socials or media, say so up front and we'll turn those around on the night.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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