Corporate and brand
Aerials that open a brand film or set the scale of a company site.
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A great aerial shot sets the scene in seconds. It shows the size of a venue, the sweep of a coastline, the shape of a site from above. That's why so much of our construction video production in Sydney starts with the drone in the air.
Most Sydney drone crews hand you a clip and leave. We fly the drone as one part of the full shoot, then cut it into the edit so it belongs in the story, not bolted on the front.
Aerials that open a brand film or set the scale of a company site.
Crowd, venue and scale shots that make an event feel big.
Site progress, scale and context from above, shot safely.
Show the location, the setting and the arrival from the air.
Landscape and destination shots that sell a place or a launch.
This is the bar every serious drone job has to clear, and we clear it before the drone leaves the case.
We fly with CASA licensed pilots on the controls, to the rules for commercial work.
We carry public liability cover for aerial work, and can share our certificate on request.
We plan the flight, check the airspace and write the safety plan so you don't have to.
Where a flight needs CASA area approval or a landowner sign off, we sort it.
If the wind or weather makes a flight unsafe, we call it and rebook. No hero flying.
Sydney Harbour, the CBD and much of the coast sit in controlled or restricted airspace. That's where a lot of crews stop.
We know the approvals these zones need, including flights over or near people at events. We handle the permissions ahead of the day, so you get the shot without managing the paperwork.
Our crew came up through live broadcast news at Network Ten. That means a broadcast eye in the air and a calm head on the ground. We've filmed for the likes of PwC, Bunnings and the Australian Turf Club, so we're used to big sites and tight run sheets. And because we do the whole production, the drone footage arrives cut into a finished video, not left as raw clips for someone else to sort. One team, ground and air, start to finish.
How we work
Five stages, ground and air. You brief us once. We sort the airspace, fly it and cut it in.
Tell us the site, the date and what the aerials need to show. Jess scopes it with the rest of the shoot and sends a fixed quote.
We check the airspace, plan the flight and write the safety plan. Where a flight needs CASA area approval or a landowner sign off, we sort it.
CASA licensed pilots on the controls, flying to the rules for commercial work. If wind or weather makes it unsafe, we call it and rebook.
The aerials are matched to the rest of the shoot and cut into the finished video. You review it in Frame.io, with two rounds of changes built in.
The finished video in the formats you need. The finished videos are yours to use anywhere, for as long as you like.
Our work
Aboriginal and Torres Strait Islander viewers are advised that this video may contain images and voices of people who have died.
Want one like this? Send Jess your date.
Start a conversationI’m really relaxed. Even the events I’m not present at, I’m not worried at all.
They make our attendees feel comfortable on camera, find solutions and ways to maximise on content during the day.
I had a partner, not a supplier. They were truly part of the team.
Good to know
Yes, in most cases. The Harbour and CBD sit in controlled or restricted airspace, so the flight needs the right approvals first. We check the airspace, plan the flight and arrange the permissions ahead of the day, so you just get the shot.
Yes. We fly with CASA licensed pilots on the controls, to the rules for commercial work. We also carry public liability insurance for aerial work and can share our certificate on request.
We do. Where a flight needs CASA area approval, a landowner sign off or flights over or near people, we handle the risk assessment and the permissions. You don't have to manage any of it.
Yes, with the right approvals in place. Flights over or near people need extra planning and permissions, so we sort those before the day and keep crowd safety front of mind on site.
That's how we work best. We match the aerials to the rest of the shoot, then cut them into the finished video.
Drone is usually added to a shoot you're already doing rather than booked on its own, which is much better value than a separate call-out. Restricted airspace needs approvals and we'll tell you before you book. See the cost guide for what a shoot day runs.
Not much. The site or address, roughly when, and what the aerials need to show. A few lines is plenty, and we'll check the airspace from there. If something's missing, Jess will call and ask rather than send you a form. You'll hear back within one business day.
Less than you'd think. A short brief call, a look at the plan, and two rounds of notes on the edit. Jess books the crew, sorts the permits and sends the call sheet. You only need to be there on the day if you want to be.
Safety comes first. If wind or weather makes a flight unsafe, we call it and rebook rather than push a risky flight. We plan for a backup where a shoot allows it.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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