Corporate and brand
Aerials that open a brand film or set the scale of a company site.
Trusted by
A great aerial shot sets the scene in seconds. It shows the size of a venue, the sweep of a coastline, the shape of a site from above.
Most Sydney drone crews hand you a clip and leave. We fly the drone as one part of the full shoot, then cut it into the edit so it belongs in the story, not bolted on the front.
Aerials that open a brand film or set the scale of a company site.
Crowd, venue and scale shots that make an event feel big.
Site progress, scale and context from above, shot safely.
Show the location, the setting and the arrival from the air.
Landscape and destination shots that sell a place or a launch.
This is the bar every serious drone job has to clear, and we clear it before the drone leaves the case.
We fly with CASA licensed pilots on the controls, to the rules for commercial work.
We carry public liability cover for aerial work, and can share our certificate on request.
We plan the flight, check the airspace and write the safety plan so you don't have to.
Where a flight needs CASA area approval or a landowner sign off, we sort it.
If the wind or weather makes a flight unsafe, we call it and rebook. No hero flying.
Sydney Harbour, the CBD and much of the coast sit in controlled or restricted airspace. That's where a lot of crews stop.
We know the approvals these zones need, including flights over or near people at events. We handle the permissions ahead of the day, so you get the shot without managing the paperwork.
Behind the scenes
Our crew came up through live broadcast news at Network Ten. That means a broadcast eye in the air and a calm head on the ground. We've filmed for the likes of PwC, Bunnings and the Australian Turf Club, so we're used to big sites and tight run sheets. And because we do the whole production, the drone footage arrives cut into a finished video, not left as raw clips for someone else to sort. One team, ground and air, start to finish.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Yes, in most cases. The Harbour and CBD sit in controlled or restricted airspace, so the flight needs the right approvals first. We check the airspace, plan the flight and arrange the permissions ahead of the day, so you just get the shot.
Yes. We fly with CASA licensed pilots on the controls, to the rules for commercial work. We also carry public liability insurance for aerial work and can share our certificate on request.
We do. Where a flight needs CASA area approval, a landowner sign off or flights over or near people, we handle the risk assessment and the permissions. You don't have to manage any of it.
Yes, with the right approvals in place. Flights over or near people need extra planning and permissions, so we sort those before the day and keep crowd safety front of mind on site.
That's how we work best. We match the aerials to the rest of the shoot, then cut them into the finished video. You can also have the raw files as a paid extra if you need them.
It depends on the site, the number of shots, whether airspace approvals are needed and what we deliver. Tell us the shots you're after and we'll send a fixed quote. Book a call to talk it through.
Safety comes first. If wind or weather makes a flight unsafe, we call it and rebook rather than push a risky flight. We plan for a backup where a shoot allows it.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Get a quoteGot something coming up?
Tell us what you need. We will scope it, quote it, and look after the rest. No hard sell, just a quick chat.