Marketing teams
You've got footage sitting there and need it turned into finished content.
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The footage is only half the job. The edit is where a shoot becomes a video people actually watch to the end.
Our editors came up through live broadcast news at Network Ten. They know how to shape a story, hold attention, and cut for the platform it's going on. You get a finished film, not a rough assembly you have to fix yourself. That includes cutting for YouTube, where pacing decides whether people stay.
You've got footage sitting there and need it turned into finished content.
Hours of coverage that needs cutting into a highlight film and social clips.
You shot it in-house or on a phone and want it to look polished.
Footage from a town hall, a conference or a leadership message that needs cutting for the intranet.
You need it cut, captioned and out the door on time.
We start by knowing the audience, the message and where it's going, so the cut lands.
The structure carries the video. Graphics and finish lift it, they don't rescue it.
A LinkedIn video, a website hero and a TV-style piece are edited differently.
Clean dialogue, balanced music and a mix that works on phone speakers too.
You comment on the exact frame in Frame.io, so notes are clear and nothing gets lost.
You review online with time-coded comments, revision rounds are built into the quote, and the final files arrive ready for every channel.
Tell us what you've got and where it's going. We'll come back with one fixed quote.
You’ll hear back within one business day.
How we work
No shoot needed. You send the footage and give your notes. We do the cutting.
Tell us what the footage is, who it's for and where it's going. Jess sends back one fixed quote.
We go through what you sent and find the story. The structure is planned before the cutting starts.
Story first, then sound, graphics and captions. It's cut for the platform it's going on.
The first edit comes back within 10 business days. You comment straight on the frame in Frame.io, with two rounds of changes built in.
Widescreen, vertical and square versions, captioned and ready. The project files are archived, so the next edit starts warm.
We're a Sydney video production company, so the edit is something we do every week, not a side service. Our crew came through live broadcast news at Network Ten, and that eye carries into the cut. We've edited for the likes of PwC, Bunnings and Australian Turf Club. Jess is your single point of contact start to finish, so you're not chasing anyone. If you want us on the shoot too, we can do the whole job end to end.
Our work
Aboriginal and Torres Strait Islander viewers are advised that this video may contain images and voices of people who have died.
Want one like this? Send Jess your date.
Start a conversationI’m really relaxed. Even the events I’m not present at, I’m not worried at all.
They make our attendees feel comfortable on camera, find solutions and ways to maximise on content during the day.
I had a partner, not a supplier. They were truly part of the team.
Good to know
Editing footage you already have is quoted per job, because it depends on how much there is and how many finished video assets you need out of it. Send us what you have and we'll give you a fixed number. If you need it filmed as well, our cost guide has real ranges.
Not much. The footage or a link to it, roughly how much there is, and what the cut is for. If something's missing, Jess will call and ask rather than send you a form. You'll hear back within one business day.
Less than you'd think. Send the footage, have a short brief call, then give two rounds of notes on the edit. We take it from there.
Yes. Plenty of our editing work is footage the client shot or had shot elsewhere. Send us your files and we'll turn them into a finished film. You don't need us on the shoot for us to do the edit.
The first edit lands within 10 business days of getting your footage, and simple social cuts can be faster. It moves quicker with a clear brief up front. We'll confirm the timeline when we scope the job so you know exactly when to expect it.
Two rounds of review are built into every edit. You watch the cut and comment right on the video through Frame.io, we work through your notes, then deliver the final. If a job needs more, we sort that out up front so it's clear.
Yes, all of it. Every edit includes a full finish and a sound mix. Captions, subtitles, lower thirds and motion graphics are part of the job too, built in your brand. Just tell us what you need.
You don't need to be in Sydney. We're based here but edit for clients across NSW, interstate and overseas. Upload your footage from anywhere and we review everything online, so you can approve the cut without a single meeting.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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