Burnt-in social captions
Styled in your brand and baked into the file, so they show up no matter where it's posted.
See social media video →
Trusted by
Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government. Our work has run on Seven, Nine and Network 10.
On a phone, in an open-plan office, on a train. If your video only works with sound, a lot of your audience gets nothing from it.
Captions fix that, and they do more. They hold attention for longer, they make the video searchable, and they mean someone who is deaf or hard of hearing can actually use what you made.
Styled in your brand and baked into the file, so they show up no matter where it's posted.
See social media video →Separate subtitle files for your website player, YouTube, Vimeo or an LMS. Switchable on and off.
Full captions including speaker changes and relevant sound, for content that has to meet a standard.
The same video working for teams and audiences in another language, without reshooting anything.
The full text of the video, handy for a blog post, a media release or an internal record.
Captions positioned so a platform's own interface doesn't sit on top of them.
See Instagram reels →Send us the file and tell us where it's going. We'll caption it and send it back ready to post.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Automatic captions are quick and mostly close. Mostly close is the problem. They mangle names, product names, acronyms and anything Australian, and the mistakes land in the one line people screenshot.
So a person reads every caption against the audio before it goes out. Your CEO's surname is spelt right. Your product is spelt right. The numbers are the numbers that were said.
A subtitle file gives a search engine the words in your video. Without one, a five minute film is a silent box on the page as far as Google is concerned.
It's a small thing that quietly helps, especially on a page you want ranking. We deliver the file alongside the video so it can go up with it.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Yes. Captions are part of the editing line on the videos we produce, along with music and the finish. You don't get quoted separately for them.
Yes. Send us the file and tell us where it's going, and we'll caption it in your brand and send it back.
Burnt-in for social, because most feeds won't read a separate file. A separate SRT for your website and video platforms, so viewers can switch them off. Plenty of clients take both.
Yes, translated subtitles are a common ask for teams with offices overseas. Tell us the languages when you brief the job.
Send us a list of names, brands and acronyms with the brief and we'll check every one against it. It's the thing automatic captioning always gets wrong.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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