Marketing teams
A batch of reels from one shoot day, so the feed keeps moving.
Trusted by
Your feed lives or dies on the first second. A weak hook and people keep scrolling, no matter how good the product is.
Reels are how brands get found now, not just seen. We shoot yours to stop the thumb, then edit them to hold it. You brief us once and get a batch of posts back, ready to go.
This is where it clicks. One planned shoot day, a month of reels out the other side. You block out a few hours, we run through a shot list of formats and angles, and we walk away with enough to fill your calendar. It's the set and forget way to keep posting without a shoot every week.
A batch of reels from one shoot day, so the feed keeps moving.
Venues and pub groups that need fresh, fast social content that feels alive.
Product brands showing the thing in action across reels and paid social.
Short vertical clips of your experts that work on Instagram and LinkedIn.
Reels captured on the day for reach while the event's still buzzing.
The opening frame earns the watch, or the scroll wins.
Captions timed and styled to your brand, easy to read with the sound off.
A reel still deserves proper light, framing and sound, and it shows.
Shot vertical, not cropped from a wide clip after the fact.
One idea, one message, so it lands before people move on.
Tell us what you're selling and where it needs to run. We'll shape the shoot and send a fixed quote.
You’ll hear back within one business day.
How we work
Five stages, all handled. You brief us once and give your feedback. We shoot once and cut for every feed.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you’re getting before anything is locked in.
We plan the shoot, shape the key messages with you, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They’re yours to use anywhere, for as long as you like.
We're a Sydney video production company, husband and wife run. Jess is your single point of contact start to finish, and Oscar leads the shoot. The crew came up through live broadcast news at Network Ten, so a reel gets a broadcast eye and calm on set, and we settle nerves on camera fast. We've filmed for PwC, Bunnings and Coles, and we treat your feed like an extension of your team, not a job we tick off. For the bigger picture across platforms, see our social media video work.
Our work
Aboriginal and Torres Strait Islander viewers are advised that this video may contain images and voices of people who have died.
Want one like this? Send Jess your date.
Start a conversationI’m really relaxed. Even the events I’m not present at, I’m not worried at all.
They make our attendees feel comfortable on camera, find solutions and ways to maximise on content during the day.
I had a partner, not a supplier. They were truly part of the team.
Good to know
Reels come out of a shoot rather than being booked as their own job, which is what keeps the cost per clip sensible. A shoot day with a set of vertical cuts runs $3,000 to $12,000 + GST. The cost guide has the detail.
Not much. What you want to show, how many reels, roughly when and where we'd film. A few lines is plenty. If something's missing, Jess will call and ask rather than send you a form. You'll hear back within one business day.
Less than you'd think. A short brief call, a look at the plan for the batch day, then two rounds of notes on the reels. Jess books the crew and sends the call sheet. You only need to be on set if you want to be.
Plenty, if we plan the day. A batch content day is built to give you a month of reels from one shoot. The exact number comes down to the formats and how many setups we run. We'll map it out before the day so you know what you're getting.
The first edit of the batch lands within 10 business days of the shoot. We'll confirm the timing when we scope the job, so it fits your posting calendar.
Two rounds of review are built into every job. You review each reel through Frame.io and leave notes right on the frame. We work through them, then the finished files are yours.
Yes, all of it, unless you'd rather lead the scripts. We plan the reels and write the hooks before the shoot, then send a shot list to review. We caption every reel in your brand colours, add music and on-screen text, and cut hook-first so it holds the scroll.
Yes. We come to you across Sydney, from the CBD to North Sydney, Macquarie Park, Parramatta and the Inner West. We can film reels at an event on the day too. No studio needed unless you want one.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Start a conversation
