Titles and lower thirds
Name and role supers in your fonts and colours, timed so they don't clash with what's being said.
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Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government. Our work has run on Seven, Nine and Network 10.
Good motion graphics don't announce themselves. A name appears when someone starts talking. A number lands at the moment it's mentioned. A process becomes a picture instead of a paragraph.
Bad ones do announce themselves. A default template, a font that isn't yours, a logo that spins. It costs a video its credibility in the first five seconds.

Name and role supers in your fonts and colours, timed so they don't clash with what's being said.
Results, growth, survey findings. Numbers that build on screen instead of sitting there as a static chart.
A process or a product shown as moving diagram, for the parts of the story you can't film.
See explainer video →A short branded open and a closing card with your logo and contact, consistent across every video you make.
Highlights, arrows and zooms that point at the thing you want people looking at.
See product video →The same graphics rebuilt for vertical, with text sized to survive a phone screen.
See social media video →Send us the film or the script and your brand guidelines. We'll show you what the graphics could do.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Send us your brand guidelines and we work inside them. Your fonts, your colours, your logo with the right clear space around it.
If you don't have a video style yet, we'll build one on the first job. After that every video you make matches, because the templates are yours to reuse.
Straight from your brand guidelines, checked against them before delivery.
Build it once and every film after it looks like it came from the same place.
Contrast and text size that hold up on a phone, not just on the edit suite monitor.
Graphics are built inside the editing line, not quoted as a separate project.
Feedback in Frame.io against the actual frame, so nobody is describing a timecode in an email.
The lower thirds and end frames stay available for the next job.
Some things can't be filmed. A five year strategy, a market shift, how money moves through a system, what happens inside a machine.
That's where graphics do the work a camera can't, and often for less than the shoot day it would take to fake it. We'll tell you when that's the better call.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
Titles, lower thirds and standard graphics are part of the editing line, in your brand. A bigger animated sequence gets its own line so you can see what it costs.
Yes, that's the normal way we work. Send the guidelines and the font files and we build inside them.
We do animated sequences as part of a film, and explainer style graphics from end to end. If you want a fully illustrated character animation, say so early and we'll be straight with you about fit.
Yes. Once the templates are built they're yours, and reusing them is what makes a set of videos look like a set.
Then we build a simple video style on the first job, using your logo and colours. It becomes the standard for everything after.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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