Executive pieces to camera
The CEO message, the results update, the change announcement. Words that have been through legal and can't drift.
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Video for PwC, Penfolds, Bunnings, FIFA, Coles, Sennheiser, Chartered Accountants Australia and New Zealand, the Australian Turf Club, Inglis, ABC Kids and the NSW Government. Our work has run on Seven, Nine and Network 10.
Ask a busy executive to learn three minutes of script and one of two things happens. They don't learn it, or they learn it badly and you spend the morning doing take after take.
A teleprompter puts the words over the lens. They read while looking straight at the camera, which reads as eye contact to the audience. Fewer takes, less pressure, and everyone out on time.
The CEO message, the results update, the change announcement. Words that have been through legal and can't drift.
See executive video →Messages where the wording matters and the leader has twenty minutes between meetings.
See internal comms video →Long-form content that has to be accurate to the word, recorded in one sitting.
See training video →A presenter covering a lot of detail without losing the thread or the energy.
See product video →A confidence monitor at the lectern so a speaker can stay on time and on message.
Ten short videos in one sitting. Scripts loaded in order, no one relearning anything.
Tell us how long the piece is and who's delivering it. We'll bring the prompter and the operator.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
A prompter with nobody running it is worse than no prompter. Scroll too fast and the speaker chases it. Too slow and they sound like a robot waiting for permission.
Our operator follows the speaker, not a fixed speed. When they pause, it pauses. When they skip a line, it keeps up. Done right, nobody watching can tell it was there.
The giveaway with autocue isn't the eyes, it's the rhythm. People read at a flat pace and land every sentence the same way.
So we do a run-through, mark where to breathe, and cut anything that reads fine but says badly. Our crew came up through live news, where reading to camera is the job, and that coaching comes with the booking.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
We supply it with an operator rather than on its own. An unattended prompter is where most of the bad takes come from, and the operator is the cheap part of the day.
The day before is ideal so we can format it and set the line breaks. We can load a script on the morning, and we can change wording on the spot.
Not if it's run well. The text sits over the lens so the eyeline is correct, and the operator follows their pace. We'll do a run-through so it sounds spoken, not read.
Three to four minutes is comfortable. Beyond that we break it into sections, which also gives the editor somewhere to cut.
Yes. A confidence monitor at the lectern or downstage is a common ask for conferences and awards nights.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
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